Abstract
The article analyzes the formation of a new media language in the context of spherical film space. It examines the features and the construction of spherical cinema, and raises issues of adapting classical film language to a new developing cinematic format, taking into account its artistic uniqueness and the peculiarities of the audience’s perception.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
