Spectres of the Original and the Liberties of Repetition

Abstract

December 01 2013 Spectres of the Original and the Liberties of Repetition Leora Maltz-Leca Leora Maltz-Leca Leora Maltz-Leca is assistant professor of contemporary art at the Rhode Island School of Design. She is currently completing a book on William Kentridge titled “Process as Metaphor & Other Doubtful Enterprises.” lmaltzle@risd.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Leora Maltz-Leca Leora Maltz-Leca is assistant professor of contemporary art at the Rhode Island School of Design. She is currently completing a book on William Kentridge titled “Process as Metaphor & Other Doubtful Enterprises.” lmaltzle@risd.edu Online ISSN: 1937-2108 Print ISSN: 0001-9933 © 2013 by the Regents of the University of California.2013 African Arts (2013) 46 (4): 32–45. https://doi.org/10.1162/AFAR_a_00106 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Leora Maltz-Leca; Spectres of the Original and the Liberties of Repetition. African Arts 2013; 46 (4): 32–45. doi: https://doi.org/10.1162/AFAR_a_00106 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search This content is only available as a PDF. © 2013 by the Regents of the University of California.2013 Article PDF first page preview Close Modal You do not currently have access to this content.