Abstract

Wajdi Mouawad's works are haunted by the war that devastated his native Lebanon, and by his subsequent exile. This article focuses on Littoral (Montréal/Paris: Leméac/Actes Sud, 1999), Visage retrouvé (Montréal/Paris: Leméac/Actes Sud, 2002) and Incendies (Montréal/Paris: Leméac/Actes Sud, 2003). By highlighting the central role of specters and graves, it argues that the burial of the dead is a quest for a long-lost past, a means to reclaim a piece of oneself and rebuild memory and history alike. Furthermore, it shows how Mouawad seeks, through theater, storytelling, and writing, to confront both the war, and the lack of a story about the war, the past, and origins.

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