Abstract

The duplex sonar model of humpback whale song proposes that broadband units within songs function differently from narrowband units. Specifically, this model suggests that singing humpback whales interleave constant frequency (CF) units, which can generate prolonged reverberation focused at specific frequencies, with less reverberant broadband units that minimally overlap with the focal frequencies of preceding and following CF units (referred to as spectral interleaving) to increase the efficacy of song as a sonar source. Here, it is shown that singers recorded off the coast of Hawaii in 2015 devoted most of their time singing to spectrally interleaving broadband elements of units around quasi-CF components that consistently generated persistent reverberant tails. Singers maintained reverberant CF streams in specific frequency bands when units contained broadband elements and when singers switched from producing pairs of alternating reverberant units to producing a single reverberant unit. Additionally, singers showed the ability to flexibly control where acoustic energy was concentrated within broadband components in ways that minimized spectral overlap with the focal frequencies of reverberant tails. The consistency and precision with which singing humpback whales interleaved broadband and reverberant CF elements of units confirm two novel predictions of the duplex sonar model.

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