Spectral decomposition of variability in synchronization and continuation tapping: Comparisons between auditory and visual pacing and feedback conditions

Abstract

Spectral analysis was applied to study the variability in human rhythmic synchronization to a visual, auditory or combined auditory–visual metronome of about 2 Hz, as well as the variability in continuation tapping at the same rate with or without visual or auditory feedback. In synchronization, variability was larger in the visual condition than in the auditory and combined conditions, but only below frequencies of about 0.3 Hz. Thus, there seem to be at least two sources of variability in synchronization, one being modality-independent and limited to intervals shorter than 3 s, and the other being modality-dependent and evident as slow “drift”, especially in the visual task. In continuation tapping, variability did not depend reliably on the presence or modality of feedback. However, spectral analysis revealed a change in the temporal structure of variability around 0.08 Hz (a period of about 12 s or 24 taps), which roughly agrees with earlier findings reported in the literature.