Abstract
The specifics of the development of projection mapping in historical retrospect and at the present stage are studied. The peculiarities of video mapping as a unique direction of audiovisual art of the end of the XX - the beginning of the XXI century are revealed. It is emphasized that as a phenomenon of digital art in which technology is organically combined with architecture, sculpture, theater, choreography, fashion or design, video mapping provides information about content, combining audiovisual elements and representing them with a projector. These elements emphasize the concept of the work of art, which builds the relationship between images, perception and space.
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