Abstract
The purpose of the article : to highlight one of the still insufficiently researched aspects of the studies about Artemyi Vedel – the specific relation between the musical and verbaltextual peculiarities of the spiritual and choral works by A. Vedel in the sense of their dramatic development. The methodology of the research is based on the combined use of universal methods of scientific knowledge, in particular, induction, deduction, historical method, cultural reconstruction, etc., the use of which makes it possible to optimally reveal the essence of the studied problems. The scientific novelty of the study lies in the fact that for the first time in modern musicology, the specifics of the interaction of musical and verbal-text series of spiritual and choral works by A. Vedel at the intersection of several heuristic projections, in particular, structuralist, psychological, religious and philosophical are considered. Conclusions . The works of A. Vedel is a complex and multi-aspect phenomenon, the essence of which is revealed through the prism of correspondence of verbal-textual and musical image.
Highlights
At the turn of the epochs, the problem of comprehending the new through the prism of the old, time-honored and sanctified tradition becomes more and more acute
Vedel is a complex and multi-aspect phenomenon, the essence of which is revealed through the prism of correspondence of verbal-textual and musical image
1 This is due to the variety of means used by the composer in the process of composing text material. In those cases where Vedel proceeds from the prerequisites of the dramatic development through a single storyline, the composer chooses as a basis the full text of the psalm, such as in Concert # 3 “How Long, Lord, Forget Me.”
Summary
Summarizing these observations, we consider it necessary to reiterate that the interaction of these levels of the compositional process at certain stages of dramatic development is the result of reflective rethinking of the original canonical image and is directly dependent on the thoughts and moods of the composer at the time of realization of a particular creative concept. This is due to the variety of means used by the composer in the process of composing text material. The presentation of multivariate algorithms of such ratios requires special scientific research that confirms the relevance of the chosen perspective of the study
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