Abstract
Abstract In his contribution to the present volume, Uhrig (2020. Cognitive Semiotics 13, 1) focusses on an interesting question: When is a novel utterance considered “creative” and when is it seen as “wrong?” As I will show, Uhrig offers many important answers to this question. At the same time, I argue 1) that deliberateness is not (always) important for linguistic creativity; 2) that appropriateness requires a closer look; and 3) that frequency does not (always) play the most important role.
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