Abstract

Listeners can perceive interleaved sequences of sounds from two or more sources as segregated streams. In humans, physical separation of sound sources is a major factor enabling such stream segregation. Here, we examine spatial stream segregation with a psychophysical measure in domestic cats. Cats depressed a pedal to initiate a target sequence of brief sound bursts in a particular rhythm and then released the pedal when the rhythm changed. The target bursts were interleaved with a competing sequence of bursts that could differ in source location but otherwise were identical to the target bursts. This task was possible only when the sources were heard as segregated streams. When the sound bursts had broad spectra, cats could detect the rhythm change when target and competing sources were separated by as little as 9.4°. Essentially equal levels of performance were observed when frequencies were restricted to a high, 4-to-25-kHz, band in which the principal spatial cues presumably were related to sound levels. When the stimulus band was restricted from 0.4 to 1.6 kHz, leaving interaural time differences as the principal spatial cue, performance was severely degraded. The frequency sensitivity of cats in this task contrasts with that of humans, who show better spatial stream segregation with low- than with high-frequency sounds. Possible explanations for the species difference includes the smaller interaural delays available to cats due to smaller sizes of their heads and the potentially greater sound-level cues available due to the cat’s frontally directed pinnae and higher audible frequency range.

Highlights

  • In typical auditory environments, listeners show a remarkable ability to isolate sounds of interest amid other competing sounds

  • Cats learned early in training to direct their attention toward the green start light and the target sound source, both located at 0° azimuth

  • Cats differed from humans in that performance by the cats was better in the high-band than the low-band condition, whereas the opposite was true for humans

Read more

Summary

Introduction

Listeners show a remarkable ability to isolate sounds of interest amid other competing sounds. This has been referred to as the cocktail party effect (after Cherry 1953) or auditory scene analysis (Bregman 1990). One key element of auditory scene analysis is stream segregation, which permits listeners to disentangle multiple temporally interleaved sequences of sounds. An example of stream segregation is that of a listener streaming together sequences of syllables as sentences from one talker while rejecting syllables from one or more other competing talkers. Multiple acoustic features enable stream segregation, including fundamental frequency, temporal envelope, bandwidth, phase, and lateralization (Moore and Gockel 2002). The present study focuses on the contribution of spatial separation between the sources of the target and distracting sounds

Objectives
Methods
Results
Conclusion
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call