Abstract
Intangible cultural heritage is the carrier of national memory and a historical witness. Exploring the spatial distribution and chronological evolution of intangible cultural heritage is of great significance to understand the cultural integrity and historical continuity. Taking the intangible cultural heritage along the Grand Canal as an example, this study carries out spatial deconstruction based on the extent of the spread of intangible cultural heritage and reveales the aggregation pattern through spatial autocorrelation analysis. Then, the historical process and the spatial center of gravity are shown through an evolution tree model. The influencing factors are illustrated via the methods of Geodetector and qualitative analysis. The results are as follows: (1) The two ends of the canal exhibit obvious advantages in the number of intangible cultural heritage items; however, the existence of a spatial mismatch at the city–county level makes the southern endpoint occupy a dominant position. (2) Although there is a high–high aggregation pattern along the whole canal, 29.82% of the counties are distributed widely with low–low aggregation. (3) The spatial center of intangible cultural heritage items from different historical periods generally presents a changing path from north to south and returning north. (4) Intangible cultural heritage items are mainly distributed in areas with a prosperous culture, a high level of economic development, and strong policy and financial support from government. Changes in the natural environment, population migration, economic development, war disasters, and canal shipping have profound impacts over time. This study provides a new idea for the methodological advancement of spatial distribution of intangible cultural heritage, as well as studies on local cultural identity and regional consistency.
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