Abstract
AIM: The aim of this study is to present the state of the theatre and architecture as a part of Space in the 20th Century Theatre.MATERIAL AND METHODS: Three aspects of the architecture were described: theatre in the typology of architectural objects, theatre as a programme in architecture, and theatre as an art form.RESULTS: Theatre has never been, nor could it ever become a subject independent of architecture. Correspondingly, the stage space is not, and should not be a separate issue, the subject of "consultants", but a crucial and equally worthy part of the complex, rich and consistent structure of the theatre house - as a whole. The theatre house in its entirety becomes a public facility and begins to develop its central function in the city. From this point of view, it is not only that the theatre has not lost its traditionally dominant urban position, on the contrary, that position is constantly evolving.CONCLUSIONS: Theatre, based on interpersonal communications in real space and real time, provoking our experiences on the borderline between reality and illusion, and constantly questioning those boundaries, can possibly discover the "otherness of the real world", that is to "change the nature of the individual, in order to change the essence of the world".
Highlights
Theatre, based on interpersonal communications in real space and real time, provoking our experiences on the borderline between reality and illusion, and constantly questioning those boundaries, can possibly discover the “otherness of the real world”, that is to “change the nature of the individual, in order to change the essence of the world”
Through in-depth research and evaluation of the contribution that theatre architecture has given to the very phenomenon of theatre on one side, and the place and the role of theatre structures in the history of architecture on the other side, we will come to very different conclusions
There is a particular topic of systems of conventions for reading of stage spaces and stage changes
Summary
Radivoje Dinulović* University of Novi Sad, Faculty of Technical Sciences, Chair in Art Applied to Architecture, Serbia.
Sign-in/Register to view highlights & summary Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: South East European Journal of Architecture and Design
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
