Abstract
Introduction - spatio-temporality as sign in epic theatre theatre for the age of mechanical warfare - Piscator directs The Good Soldier Schwejk into the whirlwind - Brecht directs Mother Courage gestic writing and the true-real body - Brecht adapts The Tutor Peer Gynt as epic theatre - Peter Stein in Berlin and Rustom Bharucha in India JoAnne Akalaitis's postmodern epic staging of Leon and Lena (& Lenz) gender, empire and body politic - Ariane Mnouchkine's Les Atrides afterword - epic theatre and the imagination of history.
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