Abstract
Introduction - spatio-temporality as sign in epic theatre theatre for the age of mechanical warfare - Piscator directs The Good Soldier Schwejk into the whirlwind - Brecht directs Mother Courage gestic writing and the true-real body - Brecht adapts The Tutor Peer Gynt as epic theatre - Peter Stein in Berlin and Rustom Bharucha in India JoAnne Akalaitis's postmodern epic staging of Leon and Lena (& Lenz) gender, empire and body politic - Ariane Mnouchkine's Les Atrides afterword - epic theatre and the imagination of history.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Paper version not known
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
