Space and Memory: The Window as Freeze-frame

Abstract

From the beginning of João Pedro Rodrigues and João Rui Guerra da Mata’s collaboration, the city of Lisbon has been at the core of both Portuguese filmmakers’ work, while Macao has also been the focus of some of their more recent projects. Their intriguing characters are lonely city dwellers whose stories are projected onto the urban space, even when they move beyond it. Working within the heritage of a postmodern local community that developed in the aftermath of the Portuguese Estado Novo (New State) dictatorship (1933–74), Rodrigues and Guerra da Mata align their private memories and domestic space with the social and historical urban space. In doing so, they emphasize a connection with the past to evoke previous practices that allow for a better understanding of the present. Taking this into account, this chapter seeks to decipher the domestic and urban territories that exist off-screen in Rodrigues and Guerra da Mata’s works and to read the multiple ways in which their experiences relate to encounters or ruptures with the urban space.