Abstract
ABSTRACT The subject of the analysis and interpretation contained in this text is El Lissitzky's work Self-Portrait as a Constructor from 1924. The text aims to indicate that El Lissitzky could have been inspired by two works by Marc Chagall: “Homage to Apollinaire” and “Dedicated to Christ” of 1912. The paper also attempts to interpret the Self-Portrait in a broader kabbalistic perspective. As it turns out, apart from his fascination with Kazimir Malevich's profile and Suprematism, Lissitzky was also well acquainted with the sphere of Jewish mysticism. In light of this, the work discussed in the article (apart from another work by the artist: “The Red Wedge of Beating the Whites” from 1919), one can clearly point to many themes of the Jewish Kabbalah, including such concepts as Ein Sof (the Endless/Infinite), Ayin (The Void), Iyun (Annihilation), Tzimtzum (Shrinkage/Disappearance), Shvirat kelim (Breaking of the vessels), piercing of the “Eye of Evil” and the general idea of Tikkun Olam (Repairing of the World).
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