Abstract
This article investigates how the concept of a state of exception and its dialectic relationship with the norm are negotiated in the German author Heinrich von Kleist’s Betrothal in San Domingo (1811), the story of two doomed lovers – a Swiss visitor named Gustav and a “mestiza” woman named Toni – set against the backdrop of the Haitian revolution. Drawing primarily upon Carl Schmitt and Giorgio Agamben’s political thoughts as well as Alexander Weheliye’s critique of Agamben which, the former claims, has little “to say about racism, colonialism, and the world beyond fortress Europe” (64), I argue that the novella critically engages with the concept of exception and calls attention to its limitations but simultaneously offers an alternative conception to what political action may look like during a moment of intense conflict. The novella scrutinizes bio(necro)political theory’s placement of death at the center of our political thought, emphasizing instead the inadequacy of the universalization of the concept of “life,” particularly outside its Eurowestern perimeters. Through Weheliye, my analysis further suggests that Betrothal in San Domingo establishes Toni as an active, sovereign subject who, through actions of friendship and love, poses a significant challenge to the systems of exception and its underlying violent potentialities.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.