Abstract
This article situates Nat King Cole’s NBC experience within those of Hazel Scott and Harry Belafonte, whose own programs bookended the first decade of television. While Scott was blacklisted and her Dumont show canceled, the brief primetime stints of Cole and Belafonte on national network television, reveal a shifting rhetoric surrounding the policing of blackness on TV that focused blame on the South. The South, then, became a convenient rhetorical device in the rejection of Black national television content. This article follows these two parallel yet interlocking threads, with the first section detailing the rise of national television in conversation with the South and the deflection of racism onto the region—an easy representational task amidst news coverage of the civil rights movement. The latter portion of the article follows a genealogy of Black hosted variety programs and Black televisual resistance from Scott to Cole and Belafonte.
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