‘South Opposed to East and North’: Adrian Stokes and Josef Strzygowski. A study in the aesthetics and historiography of Orientalism

Abstract

The ‘South Opposed to East and North’ of this paper's title comes from the third section of Adrian Stokes's book The Quattro Cento of 1932 – subtitled A Different Conception of the Italian Renaissance, and the founding work of his aesthetic. The Quattro Cento can be viewed as a response to the need expressed by Strzygowski in his Origin of Christian Church Art of 1923 ‘for a work dealing with the penetration of the South by the North of Europe and the subsequent rise of the so‐called Renaissance’; a North, in Strzygowski's view, already permeated by influences from the East. Within the contested terrain inscribed in the term, this paper isolates three key ‘Orients’ crucial to Stokes's Quattro Cento aesthetic: the experiential Orient of his Conrad‐inspired voyage to the East; the Orient of the British Museum; and that of the Orientalist texts – primarily the now‐marginalized Josef Strzygowski. As a study in the historiography of Orientalism, the essay examines how Adrian Stokes inflected his experience and readings of these Orients to re‐evaluate European – specifically Italian Renaissance – culture.