Soundscapes of Liberation: African American Music in Postwar France. By Celeste Day Moore

Abstract

In Soundscapes of Liberation, Celeste Day Moore has woven together a compelling book that sheds new light on the Black (American) experience in twentieth century France. Her critical intervention is to show that although the circulation and reception of Black music in postwar France seemed emancipatory, the reality was more complex. Moore outlines the tensions between an idealized rhetoric of racial freedom in France and the real erasures and stereotyping that characterized the transmission and reception of music of the African diaspora. She uses approaches from social and cultural history, popular culture studies, sound studies, and French colonial and postcolonial studies. Moore’s nuanced account of the emancipatory and constraining effects of soundscapes is central to understanding the complexity of “race” and racialization in France. She focuses on the time period after the Second World War although, as she points out, these characteristics are typical of earlier periods and continue to this day.