Abstract
Une analyse rigoureuse de la trame sonore de Tesis d’Alejandro Amenádar dévoile le fonctionnement du film à l’intérieur des conventions du cinéma d’horreur et élucide son interpellation des spectateurs féminins et masculins. Malgré certains éléments novateurs. Tesis maintient une division rigide entre les sexes et réaffirme la hiérarchie traditionnelle entre l’image et le son.
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