Abstract
The paper tackles the notions of timbre and sonorous matter and their connection with the dimension of corporeality in Piana's phenomenological researches on music. The first section highlights the centrality of timbre as the properly material element in musical perception and the most elementary musical fact. The second section tackles the primitive role of timbre in constituting the material base of any elementary musical unit, with a proper expressive power. Timbre reveals itself as the crucial factor for the manifestation of the auditory object’s corporeality, that Piana calls the
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
