Abstract
Research activities at Simon Fraser University over the past 25 years that bridge environmental acoustics and music are summarized, including soundscape studies, acoustic communication, soundscape composition, and the granulation of sampled sound. Gaps in traditional disciplinary approaches in dealing with environmental sound are identified, and an acoustic communicational model is proposed as an interdisciplinary alternative. Sound examples drawn from the author’s compositions, and the work of R. Murray Schafer, Hildegard Westerkamp and the World Soundscape Project will be included.
Published Version (
Free)
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
