Abstract
AbstractIn the 1990s, a vibrant reggae and dancehall scene emerged in several German cities, and in the early 2000s songs of reggae artists such as Gentleman, Seeed or Jan Delay rose to the top of the German pop charts. In this article, the German reggae scene of this time is depicted in respect to its formation, infrastructure, transnational relationships and sub-genres, and is related to general social and cultural developments in reunited Germany, e.g. a new national self-consciousness, tendencies towards a multi-ethnic society and new kinds of youth scenes. These findings are illustrated by a close reading of two songs from the seminal albumsSearching for the Jan Soul Rebelsby Jan Delay andNew Dubby Conquerorsby Seeed, both released in 2001. While Jan Delay's lyrics reflect the singer's commitment to the antifascist youth scene, Seeed celebrates a hedonistic lifestyle in the new capital Berlin.
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