Abstract
In Finnegans Wake, James Joyce explores the associations of the Irish myth of the “Black Pig”, building scenes around its motifs in Chapter I, Book 1 and in Chapter III, Book 4. Through the use of comedy (satire, parody, and irony), Joyce offers a critique of the way Irish Revival writers came to terms with myth and the way they attempted to trace and establish a national identity in writing. Simultaneously, the passages offer an affirmation.
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