Abstract

ABSTRACT While scholarship on Anglophone Palestinian literature has burgeoned in recent years, there has been no attempt to retrieve and assess the work of Soraya Antonius (1932–2017), author of two remarkable English-language novels depicting British-ruled Palestine from the 1910s to 1948, The Lord (1986) and Where the Jinn Consult (1987). Exploring and contextualising Antonius’s contribution to this literary corpus, this article examines the cultural, political and linguistic forces shaping her writings. It begins by tracing the fusion of Anglophile mimicry and anti-colonial resistance typical of her parents – George Antonius, author of The Arab Awakening (1938) and Katy Antonius, Mandatory Jerusalem’s leading socialite. While her parents funnelled their Levantine-cosmopolitan options into a distinctive Palestinian identity, the Nakba compelled their daughter to take the opposite trajectory, leaving Palestine to pursue cosmopolitan possibilities elsewhere. The article’s second section thus considers her work in 1960s and 1970s Beirut, first as a journalist and editor, committed to developing a critical discourse on Western Orientalism, and subsequently as an activist and spokesperson, advocating the Palestinian cause. Probing how these biographical and professional strands shaped her fiction, the final section demonstrates how the first novel’s Anglophile fascination with the coloniser’s mindset is replaced, in the second novel, with a decided focus on Palestinians’ perspectives. Echoing Albert Hourani’s critique of the ‘Politics of Notables’, Where the Jinn Consult thus offers a loving yet bitter account of her parents’ generation, complacent and ineffectual in the face of looming catastrophe.

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