Abstract
ABSTRACT This article traces the role of music in Arab public schools during Israel’s early decades, as a unique window into the dynamics of inclusion and exclusion that underline the encounter between the state and its Palestinian citizens. We interpret the case of music education in Arab schools through the lenses of a larger historical process of the “subordinate integration” of Palestinians into the Israeli polity. In addition to reviewing the emergence of formal music education for the separate Arab school system, we analyze state-sponsored songbooks produced in the 1960s, discussing editorial motivation and the musical practices reflected and inscribed therein. We then focus on the role of a well-known Independence Day song, exploring both its emergence and early reception, and its persistent function as a lieu de mémoire, representing the larger trauma of forced spectacle of loyalty for an entire generation of Palestinian citizens of Israel schooled during those years.
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