Song pitch – habitat relationships in white-throated sparrows: cracks in acoustic windows?

Abstract

I compared the hypothesis that birds singing from song posts above 1–2 m should sing in as low a pitch as possible regardless of habitat type, with the traditional "acoustic window" hypothesis which argues that selection favours an inverse relationship between song pitch and foliage density. Songs of white-throated sparrows, Zonotrichia albicollis, were obtained from four habitats which could be arranged in a gradient of foliage density. The pitch of these songs was found to be inversely related to the density of foliage in the habitat occupied, consistent with the acoustic window hypothesis. Significant pitch variation occurred not only between open and forest habitats, but also between mixed and boreal forest habitats. I distinguish between hypotheses that could explain support for the traditional hypothesis despite recent data suggesting that low pitched sound travels best regardless of habitat at song post heights used by white-throated sparrows (5–10 m). I conclude that the acoustic window model may make the right prediction for the wrong reason in white-throated sparrows. I emphasize the need to define and test the assumptions of models before the models themselves are accepted on the basis of support for their predictions.