Abstract
Abstract The film Song of Spring creatively portray a pair of mother and daughter who are distinct but twinned and complementary, with a focus on traditional Chinese family ethics. The intertextuality between the two characters not only enriches their images but also enhances the ambiguity of the film. Additionally, the film utilizes the symptoms of Alzheimer’s disease as a metaphor and employs the love between the mother and daughter as a “medicine” to bridge the gap between them. Through this depiction of the disease, the film also provides a glimpse into the collective memory of the Chinese nation.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
