Abstract
Fingerings and accents form the basis of the performer's interpretation, and their correct selection contributes to the most complete comprehension and implementation of the composer's idea. The performer finds the necessary timbre and the accental solutions for creating of artistic image of the musical composition. The questions of the choice of a particular fingering, the variability of accents, the convenience of playing in the process of playing a musical composition are practical and" stand " always before the performers. In this work, they are considered on the musical material of the violin part of the sonata for Violin and Piano by Claude Debussy, and the necessity and importance of performing editionis emphasizedin creating of the interpretation.
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