Abstract

Son of Man is a rock opera of twenty-two scenes which explore evangelical Christianity and the consequences of a theology that is not affirming of LGBTQ+ individuals. The opera introduces queer characters into a biblical world where Judas falls in love with Jesus and Hannah (a fictional younger sister of Jesus) is secretly in a relationship with another woman. The purpose of these variations is to explore the question "What if Jesus were like this?" By introducing modern understandings of sexuality and gender identity, the opera seeks to explore the ways Jesus' ministry is relevant to our lives today.

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