Abstract
The history of the stormy love affair between psychoanalysts and literature is explored, with an emphasis on their basic affinity and on the animosity created by analysts’ reductionistic tendencies. Past studies of the dynamics of Robert Frost's emotional world and poetry are reviewed in this context. Ogden's sensitive reading of Frost's poems is portrayed as an example of the potentially mutual egalitarian encounter allowed by newer trends in psychoanalytic theory.
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