Abstract
This short article concentrates on various representations of Xiaoying, a seriously injured survivor of the Zhili Toy Factory fire of 1993 in Shenzhen, China. Visual materials including a music video by the Hong Kong band, Noise Cooperative, TV documentaries by Radio Television Hong Kong and Phoenix TV, and written literary reports, such as ‘Bloody Tracing: a Recent Report on the Victims of the Zhili Toy Factory Fire in Shenzhen on November 19, 1993’ by academic researchers are analyzed. This is my close reading of a single exploited rural woman's story of pain and my understanding of her constraints: global capitalism, destructive modernization, and gender hierarchy. Xiaoying's painful experiences also prompt questions about the future of rural society.
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