Abstract
Conceptual art's factions have frequently been at odds, usually over definitions and often after the fact. For the purposes of further argument, Conceptual art might be considered as work that emphasized the underlying conditions of aesthetic experience: Language was seen as foremost among these conditions. Material form and sensory perception were made secondary to analyses of their discursive and institutional frames. Performance art, on the other hand, seems relatively straightforward to define, “as a form of art that happens at a particular time in a particular place where the artist engages in some sort of activity, usually before an audience. The main difference between performance art and other modes of visual art practice, such as painting, photography, and sculpture, is that it is a temporal event or action.”2
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