Abstract

This chapter starts from the reflection and analysis of the origin of “beauty” in the Confucian aesthetics. It first traces its origin in the suggestion of the Confucian moral mind. The emergence process involved is regarded as a very different one from that of the Western mainstream, in which the subject and object dichotomy is presupposed.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call