Abstract
ment of the musical and poetical requirements of troubadour art is the treatise De vulgari eloquentia by Dante Alighieri. The name of Dante is ever present in any literary study concerning the troubadours. It is in Dante's De vulgari eloquentia (On Eloquence in the Vulgar Language), written probably around I304, that a serious discussion of the merits of Provengal as a language for poetry is given. In it Dante sup, ports his discussion with numerous lines from the poems of various troubadours. The section of the treatise that concerns us here is the one in
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