Abstract

This paper outlines some facts of Tagalog prosody. The basic pitch excursions of Tagalog turn out to be remarkably similar to those of Irish, as described by Elfner (2012; 2015). After discussing in some detail the properties of Tagalog pitch rises and falls, and their sensitivity to the position of stress and of prosodic word boundaries, I make an observation about the interaction of word order with pitch peak height. It turns out that objects are generally higher-pitched than subjects would be in the same position, both in VOS and in VSO order; interestingly, this generalization is blind to the “Philippine-style voice” system, and makes reference only to thematic subjects and objects. I speculate that this generalization represents the Tagalog expression of nuclear stress: objects, no matter where they are in the Tagalog sentence, receive nuclear stress, realized as a heightened pitch peak.This article is part of Special Collection: Prosody and Constituent Structure

Highlights

  • 1 Introduction This paper will be concerned with facts like those represented in the pitch track in ­Figure 1, from the Austronesian language Tagalog

  • Having outlined the basics of Tagalog prosody, I will turn to the effects of scrambling on pitch contour

  • After proposing that the distribution of pitch rises and falls in Tagalog may be captured by Elfner’s (2012; 2015) account of the prosody of Irish, I went on to try to define with some precision the placement of rises and falls in Tagalog

Read more

Summary

Introduction

This paper will be concerned with facts like those represented in the pitch track in ­Figure 1, from the Austronesian language Tagalog.. In what follows I will outline the basics of the prosodic system If this generalization were exceptionless, we might seek to account for it in terms of something like the End-based theory of prosody developed in Selkirk (1986) and much subsequent work. Phrase in a clause, she argues, lacks a pitch rise, containing only a pitch fall This is unexpected under the End-based account sketched above, which leads Elfner to pursue an alternative. Further work on the prosodic systems of a variety of languages will hopefully make the overall picture clearer

Pitch rises
Pitch falls
Findings
Conclusions
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.