Abstract

Laurence Sterne develops his complex approach towards solitude throughout his fictional and non-fictional writings. Ranging between A Sentimental Journey through France and Italy, Bramine's Journal, Letters from Yorick to Eliza, and Sterne's sermons, this article explores how Sterne juxtaposes the pleasures of retirement with more painful loneliness, and the opportunities that each opens up for sometimes challenging self-contemplation. Various locations stimulate Sterne's engagement with this relationship in differing ways: simply, the enjoyable solitude of country retreat contrasts with the superficial busyness of city life; but for Sterne the opportunity to attain greater self-knowledge comes through his interactions with others. Alone, he must construct imaginary forms of sociability, especially with his beloved but absent Eliza, whom he brings into a fictive conversation through his writing. In the process, the quixotism of Sterne's sentimental authorial persona leads not to a performance of feeling, but to an embrace of human frailty and hopefulness alike.

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