Abstract

The archaeological sites near Monte Alegre, along Brazil's lower Amazon River, provide new information on the little-known activities and symbolism of South American Paleoindians toward the end of the Ice Age. While paleoindian sites like Monte Verde in Chile, or Guitarrero Cave in Peru, are located near the pacific coast, Monte Alegre lies much further inland, 680 km upriver from the mouth of the Amazon River and the Atlantic Coast. With excavated wood charcoal radiocarbon dated as early as 13,200 calibrated years ago, the hill—as a source of sandstone and quartz lithics—supplied early pioneers with adequate tools needed for colonizing the interior of the continent. Once there, they painted rock art on the landscape, which bears a record of the sun's horizon positions throughout the year. At just 2° south of the equator, Monte Alegre shows no overt seasonal changes beyond fluctuating rainfall amounts, unlike at higher latitudes where temperature, amount of daylight, foliage, and forms of precipitation markedly change. Near the equator, solar and stellar horizon sightings most visibly track the passage of time and seasonal cycles. However, horizons are often hidden behind high forest canopy throughout much of the Amazon Rainforest; but in the Monte Alegre hill ridges looming above the river, paleoindians could hike above the canopy to peer at the horizon, more effectively synchronizing their activities to ecological cycles. This research suggests that Monte Alegre paleoindians delimited the azimuthal range of the sun in a solar year with notational pictographs aligned to horizon sightings at Painel do Pilão, and leaving a painted grid of tally marks that might have served as a rudimentary early calendar. The broad-reaching implication for early Americans is that through the strategic placement of rock art, these ancient artists fostered predictive archaeorecording from which resources could be optimally extracted, ceremonial activities could be consistently scheduled, and gatherings for social and economic exchange could be more efficiently coordinated.

Highlights

  • Fifteen kilometers southwest of the city of Monte Alegre, in the Brazilian state of Para, ancient rock art sites dot the caves and rock faces of three hilly sandstone ridges that are adjacent to the northern bank of the Amazon River [see 1]

  • Most of the cave and shelter sites have individual pictographs, except for the outer entryway pictographs at Caverna da Pedra Pintada, which are clustered like panels

  • A few rock art sites from the terminal Pleistocene to early Holocene periods have been recently discovered in Brazil [4, 6,7,8,9]

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Summary

Introduction

Fifteen kilometers southwest of the city of Monte Alegre, in the Brazilian state of Para, ancient rock art sites dot the caves and rock faces of three hilly sandstone ridges that are adjacent to the northern bank of the Amazon River [see 1]. Most of the cave and shelter sites have individual pictographs, except for the outer entryway pictographs at Caverna da Pedra Pintada, which are clustered like panels. Anna Roosevelt and her team (1996) excavated at Caverna da Pedra Pintada, the largest and closest painted cave to the Amazon River, on a hill called Serra da Paituna. There they unearthed evidence of a Late Pleistocene paleoindian occupation period associated with numerous paint drops and lumps of pigment, artifacts, black soil, and other food remains radiocarbon dated to 11,280 to 10,170 uncalibrated years before present (13,630–11,705 cal yr BP—OxCal 4.2) [2,3,4]

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