Abstract
Primerjava Sofoklovega in Senekovega Kralja Ojdipa ponuja možnost široke osvetljave podobnosti in kontrastov med kulturnima okoljema, v katerih sta deli nastali. Prav zaradi zvrstne in tematske podobnosti teh del (ki seveda kaže na utemeljenost rimske dramatike v grški) se še zlasti jasno razkrivajo velike kulturne razlike: družbena vloga gledališča, razumevanje mita in religiozno-duhovno obzorje so bili v zgodnji dobi rimskega cesarstva zelo drugačni kot v klasičnih Atenah. Šele na ozadju teh splošnokulturnih razlik je mogoče relevantno presojati o tistem, kar je za literarno hermenevtiko najbolj zanimivo: o nezvedljivo individualnem momentu obeh avtorjev, Sofokla in Seneke, o njunem slogu.
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