Abstract

This article explores fictional representations of queer Muslims in the Western world. Analysing two films (My Beautiful Laundrette and Touch of Pink) and two novels (The Taqwacores and Bilal’s Bread), the article argues that despite queer Muslims facing multiple forms of alienation and othering, new hybrid identities and relationships are developing, rejecting the rhetoric of a “clash of civilizations” between Muslims and the West. The article explores the political, cultural, sexual and economic situation of Western Muslims as they seek meaning, belonging and faith in late capitalism.

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