“Socialism of the soul:” Holocaust in Saul Bellow’s The Victim

Abstract

ABSTRACTSaul Bellow wrote his second novel The Victim at the Partisan Review group’s instance. In the aftermath of the Holocaust the PR group advocated the assimilation of the American Jews into mainstream American life for their future safety and prosperity. Keeping in view Bellow’s creative potentials and belief in Marxism/Trotskyism, the PR members asked him to educate the Jews in this matter through his fiction. Bellow treated the subject of Jewish assimilation in an allegorical vein, projecting the idea of universal brotherhood based on common human grounds. Here, a Jew, Asa Leventhal, behaves like a Gentile and a Gentile, Kirby Allbee, like a Jew as victim and victimizer of each other. Their repeated encounters mitigate their racial apprehensions and bring the two closer to each other. Both discover one into the other as his inescapable self, bound by a common human connection. Finally they make peace with each other, projecting Bellow’s allegory of inexorable cosmic kinship—“socialism of the soul”—despite their differences of blood, race and religion.