Socialism, National Utopia, and Rock Music: Inside the Albanian Rock Scene of Yugoslavia, 1970–1989

Abstract

AbstractThis study examines the nascent Albanian rock scene in Kosovo in the 1970s and 1980s. It argues that the rock scene represented both a subcultural movement as it “deviated” from the prevailing Albanian culture in Yugoslavia (and Albania, as well), introducing new forms of expression, as well as a countercultural movement within the larger Yugoslav space for it conveyed political messages which challenged the predominant political order in Yugoslavia. As a cultural phenomenon embedded in a specific socioeconomic and geopolitical context, the Albanian rock scene in Kosovo, although relatively short-lived, initiated important changes in the cultural and social life of Kosovo.