Abstract
AbstractThis article explores critical intersections between cultural studies and the poetic text. In thinking about a poetic text, one cannot be limited to the social information about it, to the social information it appears to present, or to the surface attitudes it seems to convey. A critic must focus on articulating the complex relationships that may be constructed among statement and mode. So the problem of interpretation becomes one of articulating the dynamic variables, making adequate readings of social texts, rhetorics, and poetics; the problem is actually riding those waves and pulses of dialectical flux. The segregation of poetry from the social may be attributable to poetry's formalist and stylized condensations, constituting more acute barriers to a relatively innocent reader than parallel conventions in novels (or even films), which may well be consumed almost as if “the real” itself.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.