Abstract

Cultural tourism is recognised as one of the broader sectors of the tourism industry, embracing an extensive range of tourist interests. Italy is a remarkable tourist destination due to its cultural appeal in tangible and intangible heritage as well as its cultural resources connected to food and gastronomy, and it is of special interest since the COVID-19 pandemic was declared in March 2020. This study sought to analyse the perceptions of diverse significant actors regarding culture and tourism during the COVID-19 pandemic in Langhe, Monferrato and Roero, an area of southern Piedmont in north-western Italy. As part of a larger collaborative international project addressing the coronavirus situation, the research examined residents, tourists and tourism-related professionals to investigate their perceptions of culture and tourism. Data were collected through a survey employing three distinct questionnaires for the three target groups of residents, tourists and entrepreneurs and cultural bodies. The data analysis reveals that residents embraced a static representation of the local cultural tourism’s appeal and heritage, while tourists were motivated mainly by gastronomic and wine experiences. The perception of the coronavirus among the three groups of interviewees reflects a general reduction in almost all cultural activities and travel possibilities.

Highlights

  • Since Italy is a travel destination, culture and tourism are inextricably connected.Some hyperbolic statements affirm that Italy has 60, 75 or 80% of the world’s cultural heritage: these percentages seem more of a claim than judgements of fact

  • In writing about arts and cultural heritage, some journalists have sought to discuss them in light of the UNESCO World Heritage List or cultural participation statistics, but they remain substantially unfounded [1,2,3]

  • This article has selected the questionnaire items and questions concerning the social representation of cultural tourism in the case study area in the three targets, connecting them Residents to their perception of the coronavirus situation

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Summary

Introduction

Since Italy is a travel destination, culture and tourism are inextricably connected. Some hyperbolic statements affirm that Italy has 60, 75 or 80% of the world’s cultural heritage: these percentages seem more of a claim than judgements of fact. The area is represented through the special form of intangible heritage in literature: between the late nineteenth and twentieth century, this area gave rise to many famous intellectuals who lived, wrote, and in some cases, even fought the War of Liberation in this part of Italy. They have inhabited the cultural imaginary of many generations of Italians: from classic to realist writers, poets and men of letters, internationally well known for their works of regional and local rooting. The impacts of the COVID-19 situation on the ongoing connection between culture and tourism in this territory are examined from the perspective of the interviewees and in light of the local stakeholders’ responses

An Overview of Cultural Tourism
Defining Cultural Tourism in Italy
Research Questions for the Italian Case Study
Residents
3.4.Methods
The Residents’
Residents’ Perceptions
Tourists’ Interests in the Case Study Area
Entrepreneurs and Cultural Bodies’ Cultural Tourism Offer
Literature
Perceptions of the Coronavirus Crisis
Residents and COVID-19
Tourists and COVID-19
Entrepreneurs and Cultural Bodies’ Perception of COVID-19
Findings
Discussion and Conclusions
Full Text
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