Abstract
Building out from a case study of People for the Ethical Treatment of Animals (PETA), this essay offers a cultural account of popular social protest in the narrowcast era. Founded in 1980, PETA has grown into the world's largest and highest profile animal rights group. I trace the evolution of the group's public relations efforts and describe them via vocabularies of sound— as creating social noise and generating popular rhythms. Through the mid‐1980s, PETA made public noise primarily by orchestrating news‐based controversies, but by 1987 they were increasingly turning to narrowcast and broad circulation music and entertainment media as a way to spread the word to outsiders and ritually express the beliefs of the group. I argue that these cultures of entertainment and celebrity provided structured rhythms of affection that took the cause further than the more discordant sounds of news‐based controversy.
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