Abstract

ABSTRACT Scientific authorities increasingly caution that industrialised nations need to implement substantial transformations to meet environmental targets. To mobilize people for this transformation and press for policy reforms, socio-environmental movements combine strategies from art and activism. While existing studies conceptualise this phenomenon asartivism, empirical research on the design, function, and reception of social movements’ artivist practices remains scarce . Therefore, this article examines the socio-environmental movement Extinction Rebellion‘s (×R) art-actions. Through visual analysis and focus group research, it analyses five of XR’s recent art-actions in the Netherlands, their design and their reception among the activists and their target group. Drawing on Susanne C. Moser´s ten tasks for transformative climate change communication , we argue that XR’s art-actions use principles of transformative communication to serve movement-external goals, such as awareness-raising and mobilization, as well as movement-internal goals, such as the sharing of emotions and the prevention of activist exhaustion. Our analysis then shows that XR’s art-actions often succeed in reaching movement-internal goals. Regarding movement-external goals, our findings indicate that XR’s art-actions carry potential in mobilizing an ecologically aware audience for environmental action. The realisation of this potential, however, hinges on striking a careful balance between salient-image, specific call for action and positive outcome. Overall, we emphasize the relevance of considering the internal and external dimensions of artivism in social movement research and practice – and we show how reception research can serve this endeavour.

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