Abstract
This article seeks to analyze the origin and development of the Hip-Hop and feminist movement, and its relations with culture, and to explain its characteristics and objectives of struggle, with emphasis on the importance of these stories for contemporaneity. From a qualitative, bibliographic, and interdisciplinary research, we seek to visualize the perceptions of Cultural Studies as a point of intersection between the arts and the theories of subalternity, with a view to understanding how they have been contributing to the struggles and mobilization of discourses in which their subjects are submitted to escape their powers through their theories. In the final considerations, it is reflected on how much the discussions and theories guided by the Hip-Hop and feminist movements are of great relevance and relevance to society.
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