Abstract

This article explores the influence of social engineering in various forms within Swedish cultural policy, seen in a historical perspective. In social engineering cultural policy measures, reforms and projects are justified by scientifically based research rather than party based ideological arguments. Karl Popper’s classification of the utopian and the step-by-step engineering make up the starting point, redefined as paternalistic engineering, welfare state engineering and utilitarian engineering in order to apply these ideas to cultural policy. Social engineering was predominant in Swedish cultural policy mainly during the post war period. In the 1950s as well as in the 1970s this engineering takes on a paternalistic character, in the struggle against injurious culture, such as video violence. Current practice of paternalistic engineering is directed at revealing and identifying invisibles structures in the field of cultural heritage. The welfare state engineering had its highlights in the planning era of the 1960s and the 1970s, and today culture as a beneficial factor for both citizens and society is labelled utilitarian engineering.

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