Abstract

This chapter discusses street dynamics, particularly in the nineteenth century. It examines spontaneous, unstructured play in relation to organised performance, the colonial methods employed to control it, and the means used to resist restriction. It also looks at the ways social diversity was played out in the street Carnival, and how different social categories used play to attract public attention and recognition. Particular attention will be given to the ways the poorer sections of society engaged in play to achieve a temporary reversal of status. The chapter highlights the social evolution of certain forms of play that gradually came to be considered as Carnival traditions, and how some of these were claimed as expressions of national identity.

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