Abstract

Contemporary ceramic art and intellectual trends, where the ceramic form became interactive from society and mixed with the environment, and in conceptual art, the concept or meaning behind his work is more than his aesthetic function, this study forms four chapters. Its first chapter is concerned with the problem related to the research, its importance and limitations, and it defines the terms used. As for its second chapter, it is related to the framework of theoretical research and previous studies, and the concept of social communication is dealt with in its first axis, while its second axis deals with postmodern ceramics. In the third chapter, the procedures that were taken to implement the research are explained, where the research category of (15) potters was formed, the study sample and the tools used, the descriptive analytical approach was determined, and an analysis was conducted on a sample of the research consisting of (3) ceramic samples. As for its fourth chapter, it includes a review of the results, recommendations and conclusions.

Full Text
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