Social Borderers: Themes of Conflict and Ambiguity in Greek Folk-song

Abstract

The ‘Akritic cycle’ of Greek folk-songs consists of those texts in which scholars have found thematic resemblances to the epic poem of Digenes. The name Digenes itself has not been an essential criterion for the inclusion of a song in this category, although many of the songs do boast at least one seemingly Byzantine name; in a few cases, the name is that of Digenes, and other forms have been somewhat debatably claimed as corruptions of the latter. Like all learned taxonomies, the Akritic rubric involves a measure of distortion or oversimplification. True, the thematic resemblances exist, and are rarely likely to be the outcome of pure coincidence; but they can be matched against other, hardly less compelling similarities which violate the boundaries of the Akritic category.